As such, bomba is an important case study examining the intersections between sound studies and performance studies, blurring clear distinctions between listening to and doing sound. It argues that bomba’s growing popularity on the island and in the diaspora is a measure of its capacity for “listening to flesh,” “listening to flesh speak,” underscoring how this particularly addresses and is attuned to a subaltern, racialized, and femme-identified flesh. Take a break and learn some basic steps so that youre ready to hit the dance floor. Enslaved people also used them to celebrate. In these areas, cane workers released feelings of sadness, anger, and resistance through fiery drums played in dance gatherings called Bailes de Bomba (Bomba Dances). of bomba music and dancing, author and educator Raquel M. You can find recordings of past dance classes here. The towns of Mayagüez, San Juan, Loíza, and Ponce, among others, were the cradle of the various styles that make up this genre. Afro-Latino, Caribbean music, cultural traditions, culture, dance, drumming, family, fear. Through a close reading of different bomba dancings, this article examines how the dancer’s sounded movements claim, not space itself, but a relation to space and place, pulling bodies into the social and unravelling temporal boundedness. Get out of your seat and move your feet with virtual dance classes covering Salsa, Bomba, and other popular dances in Puerto Rico. As such, it requires a listening that ultimately structures a relationality that interrupts the colonial, white supremacist and heteropatriarchal logic that contains Puerto Rican bodies. Bomba dance attends to creating rhythmic variation through specific movement choices strategically placed within and simultaneously producing the sonic framework of drumming and dancing. Its a Puerto Rican tradition dating back 400 years, and is considered a fluid dialog between dancer and drummer. (Shefali Shah) In the Bomba y Plena Workshops (for adults and for youth), students learn Bomba songs, dances, rhythms, and beats along with Bomba history. Cultural Center to move and groove during our 8 week Introduction to Bomba class series this spring. BPCW has evolved as the place where students can come to learn and embrace. The workshops, offered since 1989, are a staple program in the community, and offer engaging music, dance, and creative arts classes to students and adults of all ages. Unique in the tight relation between the execution of movements and the simultaneous sounding of the lead drum, bomba dance enacts a challenge to the Western focus on the visual spectacle of dancing and draws attention to what Ashon Crawley calls the “choreosonic,” or the inextricable linking of movement and sound. Introduction to Bomba: Dance, Drum & Song Classes. The Bomba & Plena Community Workshops is LP21’s own community school for cultural arts learning. Afro-Puerto Rican bomba, the island’s oldest extant genre of drum, dance, and song, is a fundamentally sonic practice. Bomba is a musical expression created in Puerto Rico at the end of the 17th century, by West Africans and their descendants who worked the colonial sugar plantations along the coast of Puerto Rico.
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